As a senior digital designer and art director, I've developed packaging, branding, and customer engagement projects and made Figma our main tool for website, email, and product design.
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My branding and wayfinding helped establish this Westside neighborhood as one of Atlanta's premier mixed-use properties and artistic areas.
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As part of Adult Swim and Adult Swim Presents' creative teams for both print and digital, I designed everything from packaging to mobile platforms for events.
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For three years, I served as a contract Senior Art Director for the Atlanta Jewish Film Festival, developing over 300 unique creative deliverables during 3 months each year.
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Branding, packaging, lettering, and illustration designed for Generation X and early millennials.
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Over ten years of work ranging from branding, packaging, design, lettering, and illustration.
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For the Rosenbach Museum, I've created sleepovers with Dracula, Monday drop-ins on Sherlock Holmes, and brought J.R.R Tolkien's original Hobbit illustrations to life.
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As the network's primary marketing designer, it was an honor to be part of the team that launched Turner Classic Movies and defined the style that became a household name and one of television's most beloved brands.
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When Superman needed a makeover, DC Comics called me to save the day.
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As Art Director, Senior Designer, and heritage brand expert, my work helped Oshkosh B'gosh shift from a discount retailer to a status brand, recapturing its 100-year heritage.
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Putting a typographical twist on traditional Valentine's Day chocolates, I created a box of gourmet chocolates to send to clients as a as a token of my appreciation.
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I love bringing stories to life. And the best way to do that is through immersive experiences.
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I've worked with big brands, but I really love developing branding, storytelling, and experiences for smaller food, beverage, and restaurant brands with a mission focused on craft and quality.
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Sometimes you have to animate serene leaves falling to capture the crisp fall vibe; other times you have to animate a screaming pickle. For social and digital, I've done both.
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Not all product concepts make it to the finish line, while others do. This is a collection of winners, and a bunch of shoulda, coulda, woulda beens.
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It started with creating a Halloween font for a project in a style I could not find anywhere. Next, I tried to find a hand-painted, grocery-store-style poster font. Fifty typefaces later, I'm still making fonts that are extremely difficult, if not impossible, to find online.
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I may not be a Steven Spielberg when it comes to my reel, but I got a thumbs-up from Martin Scorsese for some little web animations I created for Turner Classic Movies. That's something.
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I've done brand development from the ground up, designed brand guidelines, and done brand evaluations. From designing brands for global companies and international NGOs to restaurant startups, branding is part of my toolkit.
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I live, eat, and breathe typography. Typography shows and tells as much of a story as words and images do. I've even been called "The King of Fonts"; I think it was meant as a compliment. Hard to tell.
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Doing my part to keep the internet from becoming overrun with cat vidoes. Here are a few samples of how I'm doing it.
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